Seven Methods of Killing Kylie Jenner @ The Royal Court Theatre

12. 08.19. “How exactly does one kill a social media figure/entrepreneur, or as I like to term her: a con artist-cum-provocateur?”

Seven Methods of Killing Kylie Jenner focuses on the perspective of a black English woman on the economic and online success of Kylie Jenner. The play sways between the protagonist, Cleo’s, ramblings on twitter and a dialogue with her mixed race best friend Kara as they’re sat in her bedroom. Throughout the play Cleo posts a series of tweets detailing the ways in which she would kill Kylie Jenner, which allows the play to explore the themes of social media and race as she faces both online criticism and debate with Kara.

A political core…

SMOFKKJ enlightened me to the cultural appropriation which is all over our social media pages by, mostly, white women who are able to mimic traits of black women through cosmetic surgery such as ‘big lips, wide hips and big bums’. In this piece Cleo argues that off the back cosmetic surgery are white women such as KJ making billions from features that Black women have while those very same features in black women have invited racism and even violence. SMOFKKJ invites the audience to give a long hard look at the people we put on pedestals and the racism at its core.

Another racial debate running parallel to that of cultural appropriation and success of white celebrities is that which is held in the discourse between black Cleo and her mixed raced best friend Kara. Ironically Cleo is racist to Kara calling her a ‘lighty’ stating that she’d had it ‘easier’ and stated that ‘bare man’ were looking to ‘jump’ on her. She cites mixed raced celebrities which are idolised for their beauty such as Beyonce, Rihanna and Jorja Smith while there are very few idolised black celebrity women. However, Kara replies while that they may be true she is and will always be ‘a black woman’, highlighting the isolation mixed race women can feel even from the black community.

Staging

The staging became a clever visual embodiment of the plays central themes. The sparse blocks of wood with cream mesh hanging above appeared both stylish and haunting. I took the wood to represent the natural while the mesh, something that is man made. The mesh had a single hanging noose, inviting reflection on the lynchings of black African American people Cleo speaks about, yet the mesh had a strange attractiveness to it like those you might see draped at a fancy beach club. In that sense the mesh became a discussion of the way in which the same features can double up to mean two very different things for different members of society.

Here I have focused on the central theme of the play, racism but the play covered so much more which I won’t discuss here including feminism, homosexuality and social media. It is one of the most thought provoking pieces I have seen in a while.

My rating: 10/10 poltical, current, moving, hilarious.

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