I May Destroy You is an eye opening focus on sexual assault following a young writer called Arabella and her group of friends. The story begins with Arabella attempting to complete a writing submission by morning, but she is quickly tempted into attending a night out with a male friend nearby. Sat back in the office the next day feeling hazy, she becomes suspicious when she realises she can’t remember smashing her phone or how she got back, beginning her investigation into what happened that night. As she comes to terms with her assault, the script explores it through the characters which surround her and it starts to feel as though trauma is lurking in every corner of society. I May Destroy You is a great piece of writing, one of many ‘firsts’ for the BBC, however it isn’t the strongest piece the BBC have produced.
A Representative Portrayal of Black London
One of the most notable aspects of the piece is that Coel provides a relatable young black Londoner’s experience, as she soundtracks the series with black content creators and musicians. I May Destroy You reveals the failures of other BBC dramas; all too often they present only one dimensional black characters, involved with gang crime or living in poverty. Coel presents black people in positions of power and wealth, in creative work as well as in the traditional first generation home.
The Creative’s Struggle
It is clear from the writing that Coel is young and newly established, as she spends much of her time focusing on the young creatives struggle and the pain that often comes with freelance work. We see it in Arabella’s battle to stay as a commissioned writer while dealing with trauma and missing a formal education, as well as with her best friend Terry’s attempts to get cast for low level acting jobs. One of my favourite aspects of the whole series was seeing them ecstatic for Terry for finally landing a paid TV commercial, even though it was brief and cheesy. It is this that made me realise how rarely the BBC has reflected the young creative battle that so many are familiar with.
Finally and most significantly, Coel discusses the many guises of sexual assault, as she educates the viewer in consent, through some grim but truthful scenes. I May Destroy You strays from the usual heteronormative portrayal of rape on screen, which spends little emotional time with the victims and assumes all the victims to be female. It instead presents a vulnerable society, where anyone could fall victim in a wide variety of ways. Most importantly the series places more focus on subsequent trauma, than on the event itself. From the millennial need to turn your trauma into ‘social media inspiration’, to pathetic art therapies, it explores the long term effect of sexual assault. Good and evil are constantly trading places as the lines between victim and perpetrator blur continually, showing that it isn’t as black and white as the media would often have you believe. The best discussion of trauma however, came in the ending which speaks to both the reality of most conclusions of sexual assault, as well as what real recovery from trauma looks like. Often it is not vengeance or ‘justice’, but letting go which is considered to be the best possible ending.
However, while Coel undoubtedly presents a powerful script filled with originality, the delivery lacked subtlety and flow. I found the throwing around of timelines amateur and the obviousness of the content frustrating. Everything being said was great, it just felt too forced. I May Destroy You is said to be ‘revolutionary’ and while Coel was certainly the first to bring such an inclusive portrayal of sexual assault and young person experience to the screen, her content is simply a reflection of millennial and gen- Z Twitter and Instagram feeds, moved into mainstream media. Although this is certainly a feat, and it is great to finally see social media discourse and TV merging, I think we can expect to see better dramas coming forward from the new generation of writers who are also familiar with this same online narrative. I May Destroy You is a season of firsts, but it certainly won’t be the last or the best executed.