Straight White Men, unsurprisingly, is a play which depicts a family of four straight white men. Three brothers performed by Charlie Condou, Cary Crankson and Alex Mugnaioni and their father, Simon Rouse, have come together at Christmas time. However, unlike most straight white men, they are a family with an intense interest in socio economic power structures, and spend their Christmas discussing their white male privilege, and what to do with it.
The play began with two queer black actors, Kim Tatum and Kamari Roméo, soundtracked by loud club music, introducing the show as one which centres around straight white men. They then reappear at several times throughout the show, forming the transition between scene changes, occasionally bursting into song, or helping to stage for the next scene. The show’s poster contains only the two black actors, so found it odd to see them so rarely featured in the piece. But, if intentional, this is a really witty way of highlighting exploitation of diversity for financial gain.
The set was, for the most part, naturalistic in style, depicting a family home, with photo frames on the wall, a fireplace with Christmas cards, and a stereo which was used throughout. Surrounding the living room set was what appeared to be the inside of a night club, with flashing neon lights and a black background. This allowed the start of the piece to feel very much like you were attending a queer night club, rather than a night at the theatre. However, I’m not sure why this experience was necessary, as though black and queer culture are supposed to be synonymous with club culture?
The acting from the straight white men of the piece was top quality; their bond as a family was believable, and at times poignant, covering topics of grief, mental health, and financial stability. Their roles as overgrown children were horribly relatable and laugh out loud funny. However, I found the performances of Kim Tatum and Kamari Roméo messy at times and I would’ve liked them to have gone further in their roles, so that their purpose could be better understood.
I found Straight White Men at the Southwark Playhouse comedic and poignant, presented in a thought-provoking (though not yet fully realised) way. I would like the show’s two elements feel less disjointed, although maybe that is the point?